Galleria Collezione Esposizioni Contatti


TEFAF 2014
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Giovanni BOLDINI
(Ferrara 1842 - Paris 1931)

Portrait of Marchese Ignazio Boncompagni, Prince of Venosa, 1914

Oil on canvas, 130 x 95 cm
Signed and dated bottom left: Boldini 1868 / 1914

Provenance: Turin, Accorsi Collection; Turin, private collection; Rome, private collection.

Literature: Boldini, curated by Ettore Camesasca, Alessandra Bargogelli, catalogo della mostra, Milano, Palazzo della Società per le Belle Arti ed Esposizione Permanente, 22 March - 14 May 1989, Milano, Mazzotta, 1989; C.L. Ragghianti and E. Camesasca, L’opera completa di Boldini, Milan, Rizzoli, 1970, p. 129, plate 527; F. Dini and P. Dini, Giovanni Boldini 1842-1931. Reasoned catalogue, Turin, Allemandi, 2002, p. 558, plate 1087.

Exhibition: Boldini, curated by Ettore Camesasca, Alessandra Bargogelli, catalogo della mostra, Milano, Palazzo della Società per le Belle Arti ed Esposizione Permanente, 22 March - 14 May 1989, Milano, Mazzotta, 1989, pag. 211, plate 142.

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Ippolito CAFFI
(Belluno 1809 - Lissa 1866)

Carnival in Rome

Tempera and gouache on heavy paper, 31 x 39 cm
Signed and dated bottom right: Caffi 1847

Exhibitions: Caffi. Luci del Mediterraneo, curated by Annalisa Scarpa. Rome, Museo di Roma - Palazzo Braschi, 15 February – 2 May 2006.

Literature: Caffi. Luci del Mediterraneo, edited by Annalisa Scarpa. Rome, Museo di Roma - Palazzo Braschi, 15 February – 2 May 2006, page 161

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Vincenzo CAMUCCINI
(Rome, 1771 – 1844)

Myological Drawing. Forearm and hand

Sanguine and black pencil on white paper, 275 x 415 mm
Bibliography: P. Salvi, «Labyrinthos», 39/40, 2001, p. 138 (cat. 6)

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Vincenzo Camuccini
(Rome, 1771 – 1844)

Myological Drawing. Forearm and hand

Sanguine and black pencil on white paper, 272 x 422 mm
Bibliography: P. Salvi, «Labyrinthos», 39/40, 2001, p. 132 (cat. 8)

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Vincenzo CAMUCCINI
(Rome, 1771 – 1844)

Myological Drawing. Forearm and hand

Sanguine and black pencil on white paper, 284 x 404 mm
Bibliography: P. Salvi, «Labyrinthos», 39/40, 2001, p. 117 (cat. 9)

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Vincenzo CAMUCCINI
(Rome, 1771 – 1844)

Myological Drawing. Shoulder, arm, forearm and hand

Sanguine and black pencil on white paper, 278 x 428 mm
Bibliography: P. Salvi, «Labyrinthos», 39/40, 2001, p. 121 (cat. 14)

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Vincenzo Camuccini
(Rome, 1771 – 1844)

Myological Drawing. Arm, forearm and hand

Sanguine and black pencil on white paper, 226 x 269 mm
Bibliography: P. Salvi, «Labyrinthos», 39/40, 2001, p. 119 (cat. 15)

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Vincenzo CAMUCCINI
(Rome, 1771 – 1844)

Myological Drawing. Dorsal region, shoulder, arm, forearm and hand

Sanguine, black pencil and charcoal on white paper, 283 x 418 mm
Bibliography: P. Salvi, «Labyrinthos», 39/40, 2001, p. 122 (cat. 17); Id., «Annali della Facoltà di Medicina e Chirurgia di Perugia», 95, 2005, p. 91

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Vincenzo CAMUCCINI
(Rome, 1771 – 1844)

Myological Drawing. Hip, thigh, knee, leg and foot

Sanguine, black pencil and charcoal on white paper, 336 x 571 mm
Bibliography: P. Salvi, «Labyrinthos», 39/40, 2001, p. 126 (cat. 30)

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Vincenzo CAMUCCINI
(Rome, 1771 – 1844)

Myological Drawing. Thigh, knee, leg and foot

Sanguine, black pencil and charcoal on white paper, 573 x 348 mm
Bibliography: P. Salvi, «Labyrinthos», 39/40, 2001, p. 128 (cat. 32)

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Vincenzo CAMUCCINI
(Rome, 1771 – 1844)

Myological Drawing. Head, neck, pectoral region and shoulder

Sanguine, black pencil and charcoal on white paper, 372 x 423 mm
Bibliography: P. Salvi, «Labyrinthos», 39/40, 2001, p. 129 (cat. 35)

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Vincenzo CAMUCCINI
(Rome, 1771 – 1844)

Myological Drawing. Neck, back, shoulder, arm and gluteal region

Sanguine, black pencil and charcoal on white paper, 296 x 436 mm
Bibliography: P. Salvi, «Labyrinthos», 39/40, 2001, p. 131 (cat. 37)

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Vincenzo CAMUCCINI
(Rome, 1771 – 1844)

Myological Drawing. Forearm and hand

Sanguine and black pencil on white paper, 201 x 210 mm
Bibliography: P. Salvi, «Labyrinthos», 39/40, 2001, p. 150 (cat. 43)

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Vincenzo CAMUCCINI
(Rome, 1771 – 1844)

Myological Drawing. Neck, back, shoulder, arm and gluteal region

Sanguine, black pencil and charcoal on white paper, 270 x 430 mm
Bibliography: P. Salvi, «Labyrinthos», 39/40, 2001, p. 132

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George GROSZ
(1893 - 1959)

A dead Irishman speaks, 1941

Reed pen and pen and ink on paper, 1941
cm. 59 x 46

Inscribed "A dead Irishman speaks" lower right and
"to Ben Hecth 1001 Afternoon" lower left.
On the reverse with the Estate stamp and number "4-48-4"

Provenance: Studio of the artist, Douglaston, Long Island, 1941 George Grosz Estate, 1959 Private Collection, Italy

Illustration: Ben Hecht, "1001 Afternoons in New York", the Viking Press New York, 1941, illustrated page 233 Ben Hecht, "1001 Nachmittage in New York", Insel Taschenbuch 1323, Insel Verlag Frankfurt am Main und Leipzig, 1992, illustrated page 261

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Marino MARINI
(1901-1980)

Cavallo e cavaliere

cm. 58x41
black ink and tempera on paper, 1950
Signed and dated lr: Marino 1952
Provenance: Rome, private collection